‘Concrete Geometries’ is a research initiative at the Architectural Association School of Architecture that explores the relationship between spatial form and social practice – how geometric aspects of space influence social environments and provide settings for social relations. By bringing together art, architecture, design and the humanities, the cluster provides a platform beyond disciplinary boundaries. Read more
According to Benjamin, of the two possible ways to appropriate architecture, the appropriation through use and habit prevails over visual contemplation . . . while contemporary cognitive research increasingly seems to imply that although a large part of our interaction with the environment may be going on unconsciously, it will still affect our behaviour.Submission, Text
Contemporary digital architectural design is characterized by an understanding of geometry as logico-algebraic text out of which architectural form emerges through the manipulation of data. By looking at the etymological roots of mathematics, the author of this text relates geometry back to bodily experience and the question of spatial orientation.Submission, Text
Marianne Mueller and Fran Cottell talked about how spaces, their shape and configuration affects people’s social behaviour at ‘Rethinking the Social in Architecture’, a research symposium by ‘Architecture in Effect’ at Umea University in Sweden. www.architectureineffect.se www.arch.umu.se/english/
The article The Exhibition as Social Ground appears in Oase 88 Exhibitions. Showing and Producing Architecture. The essay reflects on the exhibition ‘The Relational in Architecture’ held by the Concrete Geometries Research Cluster at the Architectural Association in 2012. OASE 88 examines the role of the architecture exhibition as a site of production. Bridging theory and (…)
Following previous house installations for CGP London, displaying the emotional qualities of chaos, and the relative status of the inhabitants and visitors as they perambulate through the house on increasingly higher platforms until, finally puncturing the ceiling and contributing to a collection of heads. BACK to FRONT will return to the ground; creating a new through space. The visibility of the house, visitors and the inhabitants will in turn be brought into question.